Over the pandemic, I was watching reruns of Bonanza, and first of all, it completely holds up. “These families banded together to defend themselves from these abusive land barons, and from that taking those matters into their own hands, La Cosa Nostra was born and became the authority and the law and the order of the land. “I’ve always been fascinated with the origins of La Cosa Nostra, how these Sicilian peasant families were being more than marginalized by the land barons and the aristocrats,” he said.
She set Sutter into a pitch meeting, and it turned out to be the fastest he ever set up a show. He continued work on This Beast and then hatched the idea for The Abandons, at the same time one of his favorite FX execs, Danielle Woodrow, moved to Netflix, which was hungry for a Western series.
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That attempt to marry an original series with a pre-existing property he declined to name didn’t work. But I do love the genre, and over the pandemic, I tried to get a western IP.” I said, ‘Let me stick to the crime genre” and then used just about every actor that was on that show. “There’s that great lore of Ian Anderson wanting to be a great rock guitarist, and he saw Clapton play, and he said, ‘F*ck, I’m going to become the best rock flautist that ever lived.’ And he did just that for Jethro Tull.
“I’ve always wanted to do a western, even before Sons, and then Deadwood came out,” Sutter told Deadline. 'Sons Of Anarchy's Kurt Sutter Makes Film Helming Debut On 'This Beast' For Blumhouse, Netflix
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